Julian Cope - 20 Mothers FLAC album

Julian Cope : 20 Mothers,альбом, рецезия, трек-лист, mp3, тексты песен.

Full title: "Julian Cope Presents 20 Mothers". Subtitled: "Better To Light A Candle Than To Curse The Darkness".

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Julian Cope - 20 Mothers (1995).

Often his singing on 20 Mothers is a bit strained in comparison to earlier albums, whether it's the production, his throat, or just the way he wants to do things is unclear, but it's a touch disconcerting on first blush. Musically, the same rough but right feeling on Autogeddon prevails, with plenty of detours into tribal psych, feedback madness, even quirky synth-pop; if anything, the overall sound is a bit thicker in points than the at-times hollower recordings on the earlier record.

By: Julian Cope (1995, Rock). More albums from Julian Cope: Loving Feeling, Where Do We Go From Here by Julian Cope. Criminals And Sinners by Julian Cope. An Audience With The Cope by Julian Cope. Rome Wasn’t Burned In A Day by Julian Cope. Hang On To A Dream by Julian Cope. Fried by Julian Cope. View all albums . 20 Mothers. By: Julian Cope (1995, Rock).

20 Mothers is the twelfth solo album by Julian Cope, released in August 1995 by Echo. The album's sub-title is "Better to Light a Candle Than to Curse the Darkness". It was well received by the critics and reached number 20 on the UK Albums Chart. The album revisits many of Cope's existing lyrical themes along with more personal and reflective material dealing with his own family

Cope described 20 Mothers as an album of "love songs and devotional songs" ranging from "pagan rock 'n' roll through sci-fi pop to bubblegum trance music". The main Cope collaborators on the album include keyboard player and string arranger Thighpaulsandra, drummer Rooster Cosby and guitarist Michael "Moon-Eye" Watts in place of t Donald Ross Skinner, who only contributes omnichord. There are also contributions by old associates in the shape of bassist James Eller and producer Ed Stasium. Themes and musical style. In total, 20 Mothers is 71 minutes long, and moves through four "Phases," – "Phase 1" (tracks 1–6), "Phase 2" (tracks 7–11), "Phase 3" (tracks 12–16) and "Phase 4" (tracks 17–20), – not unlike the concept of "Phases" on Cope's albums Peggy Suicide and Jehovahkill.

20 Mothers' is most definitely my most played Julian Cope album. While it is not perfect it has a real charm about it and is forever changing musical styles, lyrical moods and theme all of which make it an engaging, if often odd and unfathomable, listen. Lone single, 'Try Try Try' is just about the catchiest pop song Cope has produced since his Teardrop Explodes days and I often find myself unable to stop singing the chorus once I've played this. Those who prefer a more experimental Cope willprobably be disappointed, though, as this album does not take too manyrisks - but I figure that he's taken enough risks in his career to livewith a gentle, cohesive and memorable record. 4 people found this helpful.

Autogeddon is the eleventh solo album by Julian Cope, released in 1994 via The Echo Label. According to the album's sleeve notes, written by Cope, it was "inspired by Heathcote Williams' epic poem of the same name and a little incident concerning my pregnant wife (and myself) and £375,000 of yellow Ferrari in St. Martin's Lane, London, England. The album is largely a diatribe against car culture