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Beach Boys, The - Sunflower / Surf's Up FLAC album

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The Beach Boys 16th Studio Album recorded August 1970.

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Surf's Up is the 17th studio album by American rock band the Beach Boys, released in 1971. It was met with a warm critical reception and reached number 29 on the US record charts, becoming their highest-charting LP of new music in the US since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.

Sunflower (The Beach Boys album). Sunflower is the 16th studio album by American rock band the Beach Boys, released in August 1970, and their first on Reprise Records. record charts during a four-week stay, and becoming the lowest-charting Beach Boys album to that point. In the UK, the album performed better, peaking at number 29.

Surf's Up's cover art says all that needs to be said about the mood: painted in mournful blues and greens, a Don Quixote-like figure slouches heavily on an emaciated horse. Most touching about the album is Brian Wilson's suite-like three-song contribution as the album's closing, clearly influenced by Paul McCartney's suite on Abbey Road. By now truly marginalized, the first two tracks document his resignation to fall away. A Day in the Life of a Tree" opens with the lines, "Feel the wind burn through my skin/ The pain, the air is killing me," and on the organ driven "Til I Die," he laments being "a cork on the ocean/ Floating over the raging se.

Surf's Up Tracks 13 to 22 are their album "Surf's Up" - released 30 August 1971 in the USA on Brother/Reprise RS 6453 and November 1971 in the UK on Stateside SSL 10313. The properly chunky 22-page booklet offers fans liner notes from Beach Boys authority TIMOTHY WHITE adapted from his acclaimed book "The Nearest Far Away Place: Brian Wilson, The Beach Boys And The Southern California Experience". His song-by-song analysis and critique is both honest and affectionate and much of it peppered with Brian's 'selective' memories. Sunflower seems to be the lighter side of The Beach Boys, Surf's Up is the darker side. Brian Wilson's depressiveness makes for intensely compelling music, much like Morrissey and The Smiths. The Beach Boys are so brilliant it's amazing they were ever considered a teenybopper group, but I think the kids knew better.

After Reprise rejected what was to be their debut album for the label, the Beach Boys re-entered the studio to begin work on what would become a largely different set of songs. The results signaled a creative rebirth for the band, a return to the beautiful harmonies and orchestral productions of their classic mid-'60s material. Though the songwriting didn't quite reach the high quality of "California Girls" or "God Only Knows," Sunflower showed the Beach Boys truly working as a band, and doing so better than they ever had in the past (or would in the future).

In 1970, The Beach Boys made Sunflower, one of the greatest sunshine pop albums ever. In 1971, they recorded its successor that could be described as soundtrack of their current lives. It's NOT sequel to 1963 Surfin' USA, it's not sequel to Sunflower either. Sunflower is sunny, sweet and positive, Surf's Up is dark and suspicious. Those two albums can be found on the same CD but it's easy to feel the difference. Sunflower was a team work. There are no love songs on Surf's Up. The Beach Boys album with no love songs" OK, Disney Girls - really nice nostalgic effort by Bruce Johnston about time when everything was better than now, Sinatra-styled evocative ballad with great vocal harmonies. Their vocal arrangements are not on par with their past glories, except 'Til I Die, Disney Girls and title track, long lost Smile song.

Surf's Up - 2000 Digital Remaster. More by The Beach Boys. The Beach Boys On Tour: 1968 (Live). Listen to Sunflower/Surf's Up now. Listen to Sunflower/Surf's Up in full in the this site app. Play on this site.

Beach Boys, The - Sunflower / Surf's Up FLAC album
Sunflower / Surf's Up
FLAC size:
1526 mb
MP3 size:
1670 mb
WMA size:
1534 mb
Psychedelic Rock, Pop Rock
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