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Let It Bleed is the eighth British and tenth American studio album by English rock band the Rolling Stones, released in December 1969 by Decca Records in the United Kingdom and London Records in the United States. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet

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Meanwhile, as the Rolling Stones close out the Sixties and move into the Seventies with Let It Bleed, a new book’s been published, photographs by David Bailey (once the Stones’ photographer) of the celebrities who meant something in London these last ten years. It’s called Goodbye Baby & Amen - to translate the subtitle, A Wild Dance for the Sixties.

Let It Bleed - Album Art Lyrics. The 1969-released sequel to Beggar’s Banquet amps up the volume and intensity, while boasting enough classic songs, trademark guitar riffs and plenty of authentic rock'n'roll energy to be considered by many the group’s best effort and one of the finest rock records of all time. Despite its classic status, though, some songs are played only sporadically live, while others like Country Honk have never been presented on stage

Even still, while 'Let It Bleed' was still in the works, songs from the album were showcased at the concert such as, 'Midnight Rambler'. The album was finally released at the end of their . Wayne from Salem, VaA good song from a very good Rolling Stones' album. Johnny Winter did a good cover of this on his "Still Alive And Well" album. Which also contains a good cover of "Silver Train" from their "Goats Head Soup" album. John Lee HookerSongwriter Interviews.

Rolling Stones Photos. One of the Stones' most beloved albums, 1969's Let It Bleed was a benchmark for several reasons. First, founding guitarist Brian Jones died during the recording process. Second, the Stones take their last significant look at pure blues (Robert Johnson's spooky "Love in Vain") and country ("Country Honk," the two-stepping alter ego of "Honky-Tonk Women") before folding both styles into a cohesive rock & roll vision. Love may not be a strong enough term for this album. I have been a Stones fan since the 60s. However, for the most part it was album cuts rather than entire albums I sought from them. The one exception I can think of was "Some Girls" where I owned the entire album.

The Stones were never as consistent on album as their main rivals, the Beatles, and Let It Bleed suffers from some rather perfunctory tracks, like "Monkey Man" and a countrified remake of the classic "Honky Tonk Woman" (here titled "Country Honk"). Yet some of the songs are among their very best, especially "Gimme Shelter," with its shimmering guitar lines and apocalyptic lyrics; the harmonica-driven "Midnight Rambler"; the druggy party ambience of the title track; and the stunning "You Can't Always Get What You Want," which was.

Tracklist Hide Credits

1 Gimme Shelter
Harp – Mick JaggerPercussion – Jimmy MillerVocals – Merry Clayton
2 Love In Vain
Mandolin – Ry CooderWritten-By – Robert Johnson
3 Country Honk
Acoustic Guitar – Keith RichardsFiddle – Byron BerlineGuitar [Slide] – Mick TaylorVocals – Nanette Newman
4 Live With Me
Bass – Keith RichardsGuitar – Mick TaylorPiano, Arranged By [Horns] – Leon RussellSaxophone [Tenor] – Bobby Keys
5 Let It Bleed
Autoharp – Bill WymanPiano – Ian Stewart
6 Midnight Rambler
Harp – Mick JaggerPercussion – Brian Jones
7 You Got The Silver
Autoharp – Bill WymanOrgan – Nicky Hopkins
8 Monkey Man
Tambourine – Jimmy MillerVibraphone [Vibes] – Bill Wyman
9 You Can't Always Get What You Want
Arranged By [Choir] – Jack NitzscheChoir – Doris Troy, Madelaine Bell*, Nanette Newman, The London Bach Choir*Drums – Jimmy MillerPercussion – Rocky DijonPiano, French Horn, Organ – Al Kooper


  • Artwork [Art Production Assistant] – Nicole Monea, Patricia Sheppard
  • Artwork [Original Cover & Liner Design] – Robert Brownjohn
  • Artwork [Original Sleeve Design] – Victor Kahn
  • Artwork [Repackage Art Direction] – Alisa Coleman-Ritz, Iris W. Keitel
  • Artwork [Repackage Design] – Zane Peterson
  • Bass – Bill Wyman (tracks: 1, 2, 5 to 9)
  • Design Concept [Conception] – Lenne Allik
  • Drums – Charlie Watts (tracks: 1 to 8)
  • Engineer – Glyn Johns
  • Engineer [Assistant] – Bruce Botnick, George Chkiantz, Jerry Hansen
  • Engineer [Dsd Remaster Engineer] – Gus Skinas
  • Guitar – Keith Richards (tracks: 1, 2, 4 to 9)
  • Mastered By [Remaster] – Bob Ludwig
  • Other [Tea & Sympathy] – Jock
  • Photography By – Don McAllester
  • Piano – Nicky Hopkins (tracks: 1, 4, 7, 8)
  • Producer – Jimmy Miller
  • Reissue Producer [Restoration Producer] – Jody H. Klein
  • Research [Additional Tape Archive Research] – Jane Byrne, Mick McKenna
  • Technician [Additional Analog To Digital Transfers] – Jon Astley, Pascal Byrne*
  • Technician [Analog To Digital Transfers], Other [Tape Archive Research] – Teri Landi
  • Technician [Production Assistants] – Laura Walton, Maria Papazahariou
  • Technician [Sound Restoration], Other [Archive Coordinator] – Steve Rosenthal
  • Vocals – Keith Richards (tracks: 1, 3, 7, 8), Mick Jagger (tracks: 1 to 6, 8, 9)
  • Written-By – Mick Jagger, Keith Richards* (tracks: 1, 3 to 9)

Other versions

Category Artist Title (Format) Label Category Country Year
LK 5025 Rolling Stones* Let It Bleed ‎(LP, Album, Mono) Decca LK 5025 UK 1969
M 72167 The Rolling Stones Let It Bleed ‎(8-Trk, Album) London Records M 72167 US 1969
UIGY 9578 Rolling Stones* Let It Bleed ‎(SACD, Album, Ltd, RE, RM, SHM) ABKCO UIGY 9578 Japan 2002
882 332-2 The Rolling Stones Let It Bleed ‎(CD, Album, RM) ABKCO 882 332-2 Europe 2002
NPS-4 Rolling Stones* Let It Bleed ‎(LP, Album) London Records NPS-4 US 1969

The Rolling Stones - Let It Bleed FLAC album
Let It Bleed
FLAC size:
1756 mb
MP3 size:
1479 mb
WMA size:
1287 mb
Blues Rock, Rock & Roll, Classic Rock
Other formats:
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