Fluxion - Vibrant Forms FLAC album

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Fluxion - Vibrant Forms III Since Fluxion's Vibrant Forms II came out on Basic Channel's Chain Reaction label 16 years ago, the Greek producer, real name Konstantinos Soublis, has released a fair few singles and albums. His music has offered subtle variations on the dub techno blueprint he established in 1999 with the first Vibrant Forms. But most of the album is like a fascinating kind of musical archaeology, inviting you to dig through the many layers of each track. There's the aquatic trickles and submarine boom of "Safe Harbour," the glassy stabs and hypnotic rhythm of "Uncontained" and the synth that sweeps over "Hordes Descent"'s slow, tireless march. For those without an ear for detail, however, Vibrant Forms III could be as dull as rooting through dirt.

Fluxion ‎– Vibrant Forms. If there is a future I'd like to be in, then it is Fluxion who managed to capture the vision of it in this album (and in his others as well, I won't hesitate to call them all divine). This is the music you see, not hear

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Album · 1999 · 10 Songs. See All. Vibrant Forms III.

With each of his Chain Reaction EPs, Fluxion became both increasingly minimal and reliant upon dub-style distortion techniques to bring beauty to the sparse sounds. Where the earlier recordings captured on his Vibrant Forms album found the artist crafting what seemed like ambient techno (while still retaining a dancefloor-style sense of rhythm), his latter recordings compiled here - along with a handful of previously unreleased tracks on disc one - show few signs of any dancefloor tendencies.

This album has an average beat per minute of 121 BPM (slowest/fastest tempos: 85/133 BPM). See its BPM profile at the bottom of the page. Tracklist Vibrant Forms. BPM Profile Vibrant Forms. Album starts at 125BPM, ends at 129BPM (+4), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Fluxion.

Fluxion (electronic musician). Taken from a live show in Denmark 2010. Background information Music and Production techniques. On an interview in 2019, Konstantinos Soublis mentioned, " My early influences were Philip Glass, Steve Reich, Wim Mertens, and composers that used repetition. This led me to work on repetitive forms with heavy use of effects processed live to create a spontaneous story.