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Marcelo Radulovich - Hello FLAC album

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Marcelo Radulovich - Amp. titicacaman.

Music By, Words By, Artwork – Marcelo Radulovich. Photography By – Jessica Benson. Programmed By, Sampler – Radulovich (tracks: 1 to 11). Voice – Radulovich (tracks: 1 to 6, 8, 10, 11). Notes. Recorded at Titicacaman Studios (11/2000 - 2/2002). Mould SID Code: IFPI U832. Matrix, Runout: 803522C-1 HELLO/TITICACAMAN.

In the tradition of some of John Zorn's experimental group recordings, this album succeeds at various levels in its ability to combine disparate sounds, including noise, into a coherent whole. Like Zorn, Marcelo Radulovich acts in the joint role of performer and catalyst/leader, combining clips and snippets of sound at an alarming rate. Radulovich's palette is unique, using some everyday sounds, such as a ringing telephone; snippets from country singer Hank Williams; and static, and throwing them together in a big pot.

Marcelo Radulovich - Greeter, 02:51, . MB download mp3 full version here. Artist: Marcelo Radulovich. Download Marcelo Radulovich - Greeter. Marcelo Radulovich - Cante Marito 01:22. Marcelo Radulovich - Version 115b 14:01. Marcelo Radulovich: best 2 tracks And The Reindeer You Rode In On, 1999 00:23. Marcelo Radulovich - Quieres un Beso La Mano Ponderosa, 2012 01:59.

Слушайте Marcelo Radulovich и скачивайте бесплатно в формате mp3 прямо сейчас, без кодов, смс и регистации. Blame It on Me She - Marcelo Radulovich. no Burden Beast Sing - Marcelo Radulovich. Atomic Tonic - Marcelo Radulovich. Ziplock Tub - Marcelo Radulovich. In That Scene - Marcelo Radulovich. Cante Marito - Marcelo Radulovich. Cambia de Paso - Marcelo Radulovich. Telarana - Marcelo Radulovich. Gol del Pico - Marcelo Radulovich. Drugs - Marcelo Radulovich. Dos Cerebros 2 - Marcelo Radulovich. B, Music-D, Rhythm - Marcelo Radulovich. Dervishes - Marcelo Radulovich. El Batido - Marcelo Radulovich.

Marcelo Radulovich songs download, free online mp3 listen. And The Reindeer You Rode In On. Hans Fjellestad, Marcos Fernandes, Damon Holzborn,, Robert Montoya & Marcelo Radulovich - Frosty the Snowman. Quieres un Beso. album: La Mano Ponderosa.

Marcos Fernandes & Marcelo Radulovich. Bardi & Ann B. 5:48. Feel the Sky. Bardi Berau.

Tracklist Hide Credits

1 Ziplock Tub
Drum Programming, Piano – Radulovich*
2 Earthworm
Percussion – Nathan HubbardTurntables – Radulovich*
3 Greeter
Voice – Jessica Benson
4 Amp
Drum Programming, Piano – Radulovich*
5 Extract Hell Out Of O 5:12
6 Cante Marito 1:22
7 Caterpillar
Percussion – Marcos Fernandes, Robert MontoyaPercussion [Frame] – Nathan Hubbard
8 Dervishes
Instruments [Mousing] – Radulovich*
9 Discoteca
Synthesizer, Piano, Sampler, Electronics – Hans FjellestadTurntables – Radulovich*
10 Rice & Beans 5:25
11 Version 115B
Bass, Guitar – Radulovich*Drums – Nathan HubbardGuitar – Damon HolzbornSaxophone – Jason RobinsonTrombone – Michael Dessen

Companies, etc.

  • Recorded At – Titicacaman Studios
  • Mastered At – Zu Casa Labs
  • Copyright (c) – Marcelo Radulovich


  • Executive-Producer – Marcos Fernandes
  • Mastered By – Hans Fjellestad
  • Music By, Words By, Artwork [Art] – Marcelo Radulovich
  • Photography By [Cover] – Jessica Benson
  • Programmed By [Processing], Sampler [Samples] – Radulovich* (tracks: 1 to 11)
  • Voice – Radulovich* (tracks: 1 to 6, 8, 10, 11)


Recorded at Titicacaman Studios (11/2000 - 2/2002)

© 2002 Marcelo Radulovich (BMI)

Barcode and Other Identifiers

  • Barcode: 7 68391 00292 7
  • Mastering SID Code: IFPI LR66
  • Mould SID Code: IFPI U832
  • Matrix / Runout: 803522C-1 HELLO/TITICACAMAN
Whatever this artist may have hinted at before has been realized on this album. Perhaps the saddest thing is that this may indeed be the most widely appreciated album of his career. I seriously doubt he can make the same impact later as he does with this album. There's a balance on this symbiotic collection - while there are some seriously disquieting moments (screams, sudden bursts of noise coming from who knows where, far-side human voices) there's also a wonderfully seductive approach to rhythmic composition. Noises are both layered into the rhythms and act as segues between musical pieces. There's one voice - presumably a location recording, which sounds like MAX GOLDT's pervy toady character enjoying life on The Street. The rhythms are medium paced grooves which weave instruments and 'found sounds' into the mix like some slow food mixer combining ingredients, making the entire into a creamy swirl of odd bedfellows. At times it reminds me of the theatrical image-stimuli which UN DRAME MUSICAL INSTANTANE hinted at but never quite achieved. At other times there's a feeling of 'Electronic Jungle' - a complexity of slowly intermingling patterns created by people like BOURBONESE QUALK and TALKING HEADS - the audio equivalent of machete-ing your way through thick, dark, damp undergrowth, sucking in damp, almost poisonous air while you strain all your senses just to make out the environment. And yet this 'jungle' is most definitely urban - filled with human voices and the sounds of settlements (but no city noise pollution - cars, factories, thronging masses and construction work). Maybe RADULOVICH has humanised the Industrial rhythm, injecting Progressive Jazz extremes into what had traditionally be a cold, inhuman sound. That JOHN ZORN gives this album the thumbs up is no great surprise - this artist has a very similar approach - forcing composition to and beyond the extremes, this is like NAKED CITY or PAINKILLER composed under almost clinical conditions in a top studio. Masses of squiggling serpentine noises wrestle in painful death throes, juxtaposed next to peacefully haunting wave washes. There are even moments which remind me of the likes of factor X - messing with looped images while pushing things to the extreme. Difference here is that RADULOVICH has his hands on state-of-the-art gear and can make any amount of accumulated mess sound pristine. The last album to blow me away like this was probably JIM PLOTKIN's FLUX project - it seemed to push the parameters to the extreme without collapsing into all-out chaos. MARCELO RADULOVICH pulls off a very similar trick here, making an album which pushes the limits not so much because it dwells in extremes, but because it manages to do so and sound consistantly enjoyable, making you want to play it again and again. This review was originally printed on my Metamorphic Journeyman website.
Marcelo Radulovich - Hello FLAC album
Marcelo Radulovich
FLAC size:
1998 mb
MP3 size:
1685 mb
WMA size:
1379 mb
Other formats:
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