Jean Claude Mejstelman - indicatif de l'émission 15-115 France.inter FLAC album

Jean-Claude Risset (b 1938) is a French composer of electronic music.

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Written-By – Jean-Claude Mejstelman. Rights Society: SACEM SDRM SACD SGDL.

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Jean-Claude Risset (French: ; 18 March 1938 – 21 November 2016) was a French composer, best known for his pioneering contributions to computer music. Risset was a former student of André Jolivet and former co-worker of Max Mathews at Bell Labs. Risset was born in Le Puy-en-Velay, France. Arriving at Bell Labs, New Jersey in 1964, he used Max Mathews' MUSIC IV software to digitally recreate the sounds of brass instruments.

Jean-Louis Chautemps, Philippe Mathé Strings – Ginette Gaunet, Hubert Varon, Jean Gaunet, Pierre Llinares Trombone, Tuba – Marc Steckar Notes Recorded 1972, Studio des Dames, Paris. The debut release from Finders Keepers Records, we present the seminal 1972 album from Serge Gainsbourg's right-hand man Jean-Claude Vannier. Composer and producer Jean-Claude Vannier has spent much of the past few decades writing scores for French television and cinema, most of which have gone largely unheard outside Europe. Along the way he has also worked with pop artists such as Brigitte Fontaine and Françoise Hardy, but he remains most widely celebrated for his lavish arrangements on Serge Gainsbourg's classic jailbait concept album Histoire de Melody Nelson.

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France Inter - Jean - Claude Michéa (Service Public, 07. 03. 2013 - 10h00, France Inter). from X - refs by X-refs. Extrait de l'émission "Service Public", diffusée sur France inter le 0. 3. 2013 à 10h. ww. ranceinter.

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Panique au Mangin Palace était une émission radiophonique diffusée en direct sur France Inter les dimanches entre 11h et 12h de septembre 2005 à juin 2010, rassemblant près d'un million d'auditeurs. Elle était animée par Philippe Collin, co-écrite par Xavier Mauduit et réalisée par Henri-Marc Mutel. La programmation musicale de Thierry Dupin et le travail de recherche aux archives de l'INA de Flora Bernard contribuait également au ton et au contenu de l'émission.